Proof Pages · All families
Selected Work
Light, held still
I make quiet, abstract work from real light: long exposures pulled from dawns and dusks, printed to live with. A few of the series and commissions I can show.
Featured Series
Tideline
Ilse Varga · Tideline
Twelve dawns on one stretch of estuary, blurred into colour fields and hung the length of a hotel corridor. A commission for Marsh House.
Series
Light, by the hour it was made
Forest · Series
Underleaf
The green hour beneath a canopy, long exposures of moving light.
Desert · Series
First Heat
The minute the sun clears the ridge, held as a single exposure.
Coastal · Personal
Slack Water
The still minute at the turn of the tide, twelve frames.
How I Work
The same patience behind every series
1
Walk the place until I know its light.
2
Shoot one hour, many mornings, long exposures.
3
Edit, sequence, and print to live with.
Your Walls
Want an hour of your own light, held?
I take a small number of commissions a year: a place, an hour, a feeling, made into a series you hang and keep. Tell me about the light you want to hold.